The Engineer takes Thuy to where Kim has been hiding.

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Like many later Orientalist painters, he was frustrated by the difficulty of sketching women, and many of his scenes featured Jews or warriors on horses. Religion History Timeline. Thuy orders the Engineer to find Kim and bring her to him. Beard, David and Kenneth Gloag. I was scared people would yell or throw things at me.

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Die orientalische Welt. 139 likes · 4 talking about this. Einsichten in die orientalische Welt, Training im Verstehen und Sichtbarmachen der Schätze

65 Metascore. A Chinese-American lesbian and her traditionalist mother are reluctant to go public with secret loves that clash against cultural expectations. Director: Alice Wu | Stars: Joan Chen, Michelle Krusiec, Lynn Chen, Jin Wang. Votes: 11, | Gross: $M.

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Home About Us Our Team Services What We Treat Gallery. Blog New Patients Current Patients Referrals Current Newsletter New Page. We Are Open Again! Said criticised contemporary scholars who perpetuated the tradition of outsider-interpretation of Arabo -Islamic cultures, especially Bernard Lewis and Fouad Ajami.

In the academy, the book Orientalism became a foundational text of post-colonial cultural studies. The analyses in Said's works are of Orientalism in European literature, especially French literature , and do not analyse visual art and Orientalist painting. There is also a critical trend within the Islamic world , and in it was estimated that in Saudi Arabia alone there have been, penned by local or foreign scholars, around books critical of Orientalism as well as some articles.

Reflecting the colonialist-racist worldview of the European and American bourgeoisie, from the very beginning bourgeois orientology diametrically opposed the civilizations of the so-called "West" with those of the "East" slanderously declaring that Asian peoples are racially inferior, somehow primordially backward, incapable of determining their own fates, and that they appeared only as history's objects rather than its subject.

Early architectural use of motifs lifted from the Indian subcontinent is known as Indo-Saracenic Revival architecture. The style gained momentum in the west with the publication of views of India by William Hodges , and William and Thomas Daniell from about Examples of "Hindoo" architecture are Sezincote House c. Turquerie , which began as early as the late 15th century, continued until at least the 18th century, and included both the use of "Turkish" styles in the decorative arts, the adoption of Turkish costume at times, and interest in art depicting the Ottoman Empire itself.

Chinoiserie is the catch-all term for the fashion for Chinese themes in decoration in Western Europe, beginning in the late 17th century and peaking in waves, especially Rococo Chinoiserie, c.

From the Renaissance to the 18th century, Western designers attempted to imitate the technical sophistication of Chinese ceramics with only partial success. Early hints of Chinoiserie appeared in the 17th century in nations with active East India companies: England the East India Company , Denmark the Danish East India Company , the Netherlands the Dutch East India Company and France the French East India Company.

Tin-glazed pottery made at Delft and other Dutch towns adopted genuine Ming -era blue and white porcelain from the early 17th century. Early ceramic wares made at Meissen and other centers of true porcelain imitated Chinese shapes for dishes, vases and teawares see Chinese export porcelain. Pleasure pavilions in "Chinese taste" appeared in the formal parterres of late Baroque and Rococo German palaces, and in tile panels at Aranjuez near Madrid.

Thomas Chippendale 's mahogany tea tables and china cabinets, especially, were embellished with fretwork glazing and railings, c. Sober homages to early Xing scholars' furnishings were also naturalized, as the tang evolved into a mid-Georgian side table and squared slat-back armchairs that suited English gentlemen as well as Chinese scholars.

Not every adaptation of Chinese design principles falls within mainstream " chinoiserie ". Small pagodas appeared on chimneypieces and full-sized ones in gardens. Kew has a magnificent Great Pagoda designed by William Chambers. The Wilhelma in Stuttgart is an example of Moorish Revival architecture. Leighton House , built for the artist Frederic Leighton , has a conventional facade but elaborate Arab-style interiors, including original Islamic tiles and other elements as well as Victorian Orientalizing work.

After , Japonism , sparked by the importing of ukiyo-e , became an important influence in the western arts. In particular, many modern French artists such as Claude Monet and Edgar Degas were influenced by the Japanese style.

Mary Cassatt , an American artist who worked in France, used elements of combined patterns, flat planes and shifting perspective of Japanese prints in her own images. California architects Greene and Greene were inspired by Japanese elements in their design of the Gamble House and other buildings.

Egyptian Revival architecture became popular in the early and midth century and continued as a minor style into the early 20th century. Moorish Revival architecture began in the early 19th century in the German states and was particularly popular for building synagogues.

Indo-Saracenic Revival architecture was a genre that arose in the late 19th century in the British Raj.

Baroque Red Mosque in the garden of Schwetzingen Palace in Germany, finished in The Vorontsov Palace —46 in Crimea , designed by Edward Blore in English style but incorporating eastern style elements. Chinesischer Turm Chinese Tower in the Englischer Garten , Munich , Germany: The initial structure was built — Vase; circa ; porcelain; overall: Depictions of Islamic " Moors " and " Turks " imprecisely named Muslim groups of southern Europe , North Africa and West Asia can be found in Medieval, Renaissance, and Baroque art.

In Biblical scenes in Early Netherlandish painting , secondary figures, especially Romans, were given exotic costumes that distantly reflected the clothes of the Near East.

The Three Magi in Nativity scenes were an especial focus for this. In general art with Biblical settings would not be considered as Orientalist except where contemporary or historicist Middle Eastern detail or settings is a feature of works, as with some paintings by Gentile Bellini and others, and a number of 19th-century works. Renaissance Venice had a phase of particular interest in depictions of the Ottoman Empire in painting and prints.

Gentile Bellini, who travelled to Constantinople and painted the Sultan, and Vittore Carpaccio were the leading painters. The ambitious Scottish 18th-century artist Gavin Hamilton found a solution to the problem of using modern dress, considered unheroic and inelegant, in history painting by using Middle Eastern settings with Europeans wearing local costume, as travelers were advised to do.

His huge James Dawkins and Robert Wood Discovering the Ruins of Palmyra , now Edinburgh elevates tourism to the heroic, with the two travelers wearing what look very like togas. Many travelers had themselves painted in exotic Eastern dress on their return, including Lord Byron , as did many who had never left Europe, including Madame de Pompadour.

French Orientalist painting was transformed by Napoleon 's ultimately unsuccessful invasion of Egypt and Syria in —, which stimulated great public interest in Egyptology , and was also recorded in subsequent years by Napoleon's court painters, especially Antoine-Jean Gros , although the Middle Eastern campaign was not one on which he accompanied the army. Delacroix followed up with Greece on the Ruins of Missolonghi , commemorating a siege of the previous year, and The Death of Sardanapalus , inspired by Lord Byron , which although set in antiquity has been credited with beginning the mixture of sex, violence, lassitude and exoticism which runs through much French Orientalist painting.

He was greatly struck by what he saw, comparing the North African way of life to that of the Ancient Romans, and continued to paint subjects from his trip on his return to France.

Like many later Orientalist painters, he was frustrated by the difficulty of sketching women, and many of his scenes featured Jews or warriors on horses. However, he was apparently able to get into the women's quarters or harem of a house to sketch what became Women of Algiers ; few later harem scenes had this claim to authenticity. In many of these works, they portrayed the Orient as exotic, colorful and sensual, not to say stereotyped.

They stressed both lassitude and visual spectacle. Other scenes, especially in genre painting , have been seen as either closely comparable to their equivalents set in modern-day or historical Europe, or as also reflecting an Orientalist mind-set in the Saidian sense of the term.

The leading British genre painter , Sir David Wilkie was 55 when he travelled to Istanbul and Jerusalem in , dying off Gibraltar during the return voyage. Though not noted as a religious painter, Wilkie made the trip with a Protestant agenda to reform religious painting, as he believed that: "a Martin Luther in painting is as much called for as in theology, to sweep away the abuses by which our divine pursuit is encumbered", by which he meant traditional Christian iconography.

Other artists including the Pre-Raphaelite William Holman Hunt and David Roberts in The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia had similar motivations, [38] giving an emphasis on realism in British Orientalist art from the start.

William Holman Hunt produced a number of major paintings of Biblical subjects drawing on his Middle Eastern travels, improvising variants of contemporary Arab costume and furnishings to avoid specifically Islamic styles, and also some landscapes and genre subjects. The biblical subjects included The Scapegoat , The Finding of the Saviour in the Temple , and The Shadow of Death Other artists concentrated on landscape painting , often of desert scenes, including Richard Dadd and Edward Lear.

David Roberts — produced architectural and landscape views, many of antiquities , and published very successful books of lithographs from them. Russian Orientalist art was largely concerned with the areas of Central Asia that Russia was conquering during the century, and also in historical painting with the Mongols who had dominated Russia for much of the Middle Ages, who were rarely shown in a good light.

One hallmark of "The Five" composers was their reliance on orientalism. Edward Said originally wrote that Germany did not have a politically motivated Orientalism because its colonial empire did not expand in the same areas as France and Britain.

Said later stated that Germany "had in common with Anglo-French and later American Orientalism [ Marchand , German scholars were the "pace-setters" in oriental studies. Nationalist historical painting in Central Europe and the Balkans dwelt on oppression during the Ottoman Empire period, battles between Ottoman and Christian armies, as well as themes like the Ottoman Imperial Harem , although the latter was a less common theme than in French depictions.

The Saidian analysis has not prevented a strong revival of interest in, and collecting of, 19th century Orientalist works since the s, the latter was in large part led by Middle Eastern buyers. Authors and composers are not commonly referred to as "Orientalist" in the way that artists are, and relatively few specialized in Oriental topics or styles, or are even best known for their works including them.

But many major figures, from Mozart to Flaubert, have produced significant works with Oriental subjects or treatments. Giuseppe Verdi 's opera Aida is set in Egypt as portrayed through the content and the visual spectacle.

Irish Orientalism had a particular character, drawing on various beliefs about early historical links between Ireland and the East, few of which are now regarded as historically correct. The mythical Milesians are one example of this. The Irish were also conscious of the views of other nations seeing them as comparably backward to the East, and Europe's "backyard Orient.

In music, Orientalism may be applied to styles occurring in different periods, such as the alla Turca , used by multiple composers including Mozart and Beethoven. Nonetheless, Taruskin characterizes Orientalism in Romantic Russian music as having melodies "full of close little ornaments and melismas," [58] chromatic accompanying lines, drone bass [59] —characteristics which were used by Glinka , Balakirev , Borodin , Rimsky-Korsakov , Lyapunov , and Rachmaninov.

These musical characteristics evoke: [59]. In a word, it signifies the promise of the experience of nega , a prime attribute of the orient as imagined by the Russians In opera and song, nega often simply denotes S-E-X a la russe, desired or achieved.

Orientalism is also traceable in music that is considered to have effects of exoticism , including the Japonisme in Claude Debussy 's piano music all the way to the sitar being used in recordings by the Beatles. In the United Kingdom, Gustav Holst composed Beni Mora evoking a languid, heady Arabian atmosphere.

The Romantic movement in literature began in and ended around The term Romantic references the ideas and culture that writers of the time reflected in their work. During this time, the culture and objects of the East began to have a profound effect on Europe. The current trend in analysis of this movement references a belief in this literature as a mode to justify European colonial endeavors with the expansion of territory.

He portrayed its culture as morally corrupting and suffused with dangerously alluring eroticism. This novel proved hugely influential on later portrayals of ancient Semitic cultures. Said argues that the continuity of Orientalism into the present can be found in influential images, particularly through the Cinema of the United States , as the West has now grown to include the United States.

The overly sexualized character of Princess Jasmine in Aladdin is simply a continuation of the paintings from the 19th century, where women were represented as erotic, sexualized fantasies. In The Tea House of the August Moon , as argued by Pedro Iacobelli, there are tropes of orientalism.

Kimiko Akita, in Orientalism and the Binary of Fact and Fiction in 'Memoirs of a Geisha' , argues that Memoirs of a Geisha contains orientalist tropes and deep "cultural misrepresentations. During the Romantic period of the 19th century, ballet developed a preoccupation with the exotic.

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Japanese with English subtitles. Ichiko and Eri Youngsexpartys two beautiful Japanese Uni students who are in a lesbian relationship. Ichiko comes out to her father who tells her he is also gay and her mother was a lesbian.

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Orientalische Ladies 1, R 91 min Comedy, Drama, Romance. A Chinese-American lesbian and her traditionalist mother are reluctant to go public with secret loves that clash against cultural expectations.

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TV-MA min Action. Director: Koichi Sakamoto Stars: Yuria HagaSanae HitomiRina KoikeTakahisa Maeyama. Twenty-something lesbian Chinatsu shares a one-bedroom apartment with heterosexual Kyoko. A glimpse at the lives of a group of Orientalische Ladies who are drawn together by Club Bilitis, a lesbian club owned by Hyang-Ja.

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Not Rated min Drama, Mystery, Thriller. Complex emotional relationships and human nature's darker sides are explored in this captivating suspense drama about a cop whose lust for love threatens to get in the way of his professional life. Director: Hyuk Byun Stars: Han Suk-kyuEun-ju LeeHyun-Ah SungJi-won Uhm. Unrated min Drama, Horror. Top star Lilico undergoes multiple cosmetic surgeries to her entire body. As her surgeries show side effect, Lilico makes the lives of those around her miserable as she tries to deal with her career and her personal problems.

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A maid arrives from the countryside to work for an upper middle class family. She fits in well, but everyone's emotions are stirred up with the arrival of a student.